echoes of nothing

. . ."(every something is an echo of nothing.) In the silence of my room The murmur of my body: unheard. One day I will hear its thoughts.". . .

*An excerpt from the poem Reading John Cage, by Octavio Paz
20th May
beneaththeearthscrust:

Tangerine Dream poster by Tadanori Yokoo, an insert from the 1977 Japanese version of Stratosfear.
Aiches!
19th May
simultaneousreads:

A semi-autobiographical short story collection from Margaret Atwood (Moral Disorder), and two poets: vaulted Derek Walcott (White Egrets), and whimsical Noelle Kocot (The Bigger World).
Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale’s department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.
— Kurt Vonnegut
youleavelikesummers:

Μην καπνίζεις τόσο πολύ,
Σ’αγαπώ |110820100|
18th May
charliehalter:

I feel like dropping coffee is the modern day version of reading bad signs in sheep entrails: nothing good can follow.
jthenr-comics-vault:

“I heard joke once: Man goes to doctor. Says he’s depressed, life is harsh and cruel. Says he feels all alone in threatening world. Doctor says, “Treatment is simple. The great clown Pagliacci is in town. Go see him. That should pick you up.” Man bursts into tears.”But doctor” He says, “I am Pagliacci.” Good joke. Everybody laugh. Roll on snare drum. Curtains.”
17th May
Things are going to get a lot worse before they get worse.
— Lily Tomlin (via deathdestroyerofw0rlds)
Likewise and during every day of an unillustrious life, time carries us. But a moment always comes when we have to carry it. We live on the future “tomorrow,” “later on,” “when you have made your way,” “you will understand when you are old enough.” Such irrelevancies are wonderful, for, after all, it’s a matter of dying. Yet a day comes when a man notices or says that he is thirty. Thus he asserts his youth. But simultaneously he situates himself in relation to time. He takes his place in it. He admits that he stands at a certain point on a curve that he acknowledges having to travel to its end. He belongs to time, and by the horror that seizes him, he recognizes his worst enemy. Tomorrow, he was longing for tomorrow, whereas everything in him ought to reject it. That revolt of the flesh is the absurd.
— Albert Camus, The Myth of Sisyphus and Other Essays (via seanrickard)

(via fuckyeahexistentialism)

16th May